Tag Archives: reading art

Taiwan’s 2022 local elections and this emerging Taiwanese national identity: Taiwan dispatch, world history,  and Taiwan Republic 台灣国 classrooms

Taiwan Republic dispatch. No one likes losing elections, and I am hyperpartisan when it comes to Taiwanese politics. I do, however, take a world history perspective on the wins and losses — that is, what is the larger, general direction. This is why I turned off the news after last evening’s losses and read this book on Taiwanese artist Chen Cheng-po, educated by the Japanese, murdered by the invading China KMT — his mangled corpse left at Chiayi town square, family members unable to retrieve it, as a show of force for the Chinese invaders. Many of his pieces I love, his painting on Tamsui, one of my favorite northern Taiwan places, is my favorite — it populates my computer background, class slides, and phone screen savers.

It has taken centuries of struggle by Taiwanese forbearers, against enemies foreign and domestic, to get Taiwan Republic to this point of democracy and human rights — and it will be centuries more of tears and sweat to preserve and improve Taiwanese democratic statehood. Human beings always wish for an easier path, I include myself in that camp — so yes we all wish for a “final” victory, a moment when we can all breathe a sigh of relief that the Chinese in China and the Chinese in Taiwan and the western imperialist powers will all leave Taiwanese democracy alone. Not without centuries more of difficult fighting and sacrificing — of using Taiwanese art and literature, anime and manga, food and street fairs, films and documentaries, songs and poems — just as Mr. Chen did here, to put into earthly forms expressions and explanations of this Taiwanese nation that we love. For that love, he was murdered by the Chinese invaders.

Given the level of political polarization, I am proud of the relative normalness of it all — for a relatively young democracy, little violence, losers conceded, and the democratically elected president resigned as chair of her party to take responsibility. I walked around the streets of Taipei last evening, MRT and shops buzzing, citizens going about their business – they voted, some obsess over results, life goes on as it must in a democracy. We can always rely on some western imperialist press and academics to produce bad takes — local electoral victories in Taiwan as a sign of warm feelings for the Chinese communists, implications for the rising tension, etc. I suggest studying the ruling DPP’s massive defeats in the 2018 local elections and then pondering what happened in 2020 as a way to frame what is going on in Taiwan. Our Taiwanese elders fought the Chinese to have this democracy, preserving democratic sovereignty no matter who wins any particular election is the most important reason for the struggles. Without democracy and domestic peace, Taiwanese nationalism would be pointless. 27.11.2022

© Taiwan in World History 台灣與世界歷史. This site grants open access for educational and not-for-profit use. Maps and illustrations are borrowed under educational and not-for-profit fair use. If you are the rights holder and prefer not to have your work shared, please email TaiwanWorldHistory (at) Gmail (dot) com and the content will be removed.

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Reviews: Taiwanese film Untold Herstory 流麻溝十五號 – Decolonization, historical memory, art, and this emerging Taiwanese national identity: Taiwan dispatch, national identity, and Taiwan Republic 台灣国 classrooms

Because few Taiwanese dared to go into filmmaking, TV, radio, journalism, the arts, history, and politics during the days of the China KMT occupation-dictatorship, even decades after Taiwan’s democratization the decolonization process remains stalled. Taiwanese do not have the institutions, the people, nor the vocabulary to yet fully recover their historical memory and examine their own histories. This new film about the invading China KMT’s political prisoners and white terror during the 1950s and 1960s is an attempt to reverse that tide – for Taiwanese to reclaim their memory, and to tell their own stories. It was a difficult film to watch, much tears, sometimes I just closed my eyes for minutes to shut out the pain. But I told my wife going to a theater is no less important than voting – a small, personal vote against Chinese colonialism.

The incongruities and complications of modernity and modern Taiwan are these – to walk out of a beautiful and heart-wrenching film, subtle and tastefully done, into a western-style shopping mall complex in downtown Taipei. And then, a few minutes later, on a subway, to transfer to the Chiang Kai-shek Memorial stop – the same invader-dictator who is responsible for these crimes against humanity, yet Taiwanese citizens are still forced to host a memorial in his honor. And for extra incongruity, one of the Taipei mayoral candidates claims to be Chiang’s illegitimate great-grandson. And he may actually win. None of it makes any sense, yet all of them must coexist, parallel universe-like, democratically and peacefully.

How to reclaim historical memory, tell one’s own stories, and decolonize one’s own nation peacefully and democratically? The greatest strength of this film, I thought, was complicating and humanizing all of the characters, from China KMT political prison guards to political prisoners who are from China to Taiwanese victims – without descending into moral relativism and “What a tragedy of that era ….” b.s. These are my initial thoughts – I am going to take a while to think over my notes and ponder all of this. The range of linguistic diversity, accents, and languages brought over from China to the beautiful code-switching between southern Taiwanese to Japanese to English, speaks to a level of multiculturalism and diversity inherent to Taiwan that the China KMT dictatorship tried mightily to erase. The film did a masterful job with a light touch – this is a subject and a story that’s constantly at risk of tipping over into melodrama. The China KMT crimes and the human suffering were drama enough when simply illustrated. Something about the way the film was filmed and narrated and the stories interspersed felt immersive throughout – a deep sense of sadness and anger, sadness for the needless suffering and injustice, anger that the criminals remain unrepentant and unpunished, beautiful shots of the Pacific Ocean waves and the natural beauty of the Green Island almost as momentary reprieve.

It also occurred to me that decades of China KMT brainwashing into their particular brand of neutered in service of the Chiang crime family dictatorship “Confucianism” and decades of enforced forgetting have nearly erased most of modern-day Taiwanese memory of highly educated and super strong-willed Taiwanese women leaders in its history. A history that films like this is beginning to remember.

The film’s thankless task is also President Tsai’s thankless task – tell a fair and complicated historical memory story which some will take offense for not being harsh enough; while even touching the subject is making Chinese reactionaries inside Taiwan upset. Yet these are necessary steps for the future of Taiwanese democracy and nationhood – requiring brave, selfless Taiwanese to take – to engage the pain and suffering while opening a democratic and peaceful path for national coexistence. 8.11.2022

© Taiwan in World History 台灣與世界歷史. This site grants open access for educational and not-for-profit use. Maps and illustrations are borrowed under educational and not-for-profit fair use. If you are the rights holder and prefer to not have your work shared, please email TaiwanWorldHistory (at) Gmail (dot) com and the content will be removed.

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Reviews: Guided Tour of Taiwanese History 導讀台灣 台灣史系列 導演魏德聖 三立: Geostrategery and Taiwan Republic 台灣国 classrooms

This history series by Taiwan’s 三立 is a rare public forum for Taiwanese history on Taiwanese mass media. Academic historians can, and will, find something to fuss over history for a mass audience. What is notable about this series is that it provides a rare oasis of thoughtful content in an otherwise content-poor Taiwanese electronic media landscape. It also does an admirable job breaking down politically and historically created barriers in how Taiwanese history has and has not been conceptualized. Nothing in the public discourse in Taiwan can escape the omnipresent national identity-historical memory either/or’s, the “Are we Taiwanese or Chinese or both” debate. This series makes a serious attempt to push across these artificial boundaries – periodization, conceptual categories, national identity as confined by modern nation-states, and so on while placing Taiwan the place, and Taiwanese the ever-evolving communities of humans on this island, at the center. In this effort, it echoes the evolving views developed by newer generations of Taiwanese leaders – pushing farther back into Taiwanese history and pre-history (Dutch, indigenous, Oceania), while broadening beyond the usual characters (Han Chinese, Japanese, China KMT) – and providing new ways to include contradictory and competing historical memories, from indigenous to the Japanese to the disaggregated Taiwanese to the immigrants of 1949 to the even more recent immigrants from Southeast Asia and beyond to the global Taiwanese diaspora, into a dynamic Taiwanese national identity bond together by place and by democracy. I have often noted that for a nation that formally declares such reverence for history, Taiwan is comparatively apathetic to its own history and quick in developing historical amnesia. Any effort, such as this series, to reverse this trend will do much to deepen and enhance Taiwan’s democratic sovereignty.

導讀台灣:台灣史系列 導演魏德聖 每周日20:00 三立新聞台 帶您用鏡頭看台灣 https://www.youtube.com/channel/UCMjFUtt9nFwMlbzqCTKY3wQ/about

© Taiwan in World History 台灣與世界歷史. This site grants open access for educational and not-for-profit use. Maps and illustrations are borrowed under educational and not-for-profit fair use. If you are the rights holder and prefer to not have your work shared, please email TaiwanWorldHistory (at) Gmail (dot) com and the content will be removed.

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Formosa, good evening

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17/10/2014 · 5:56 AM

Reading art: multiple identities and histories

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03/07/2014 · 9:39 AM